LEE Filters
An obsession with quality
It was the demand from the movie production industry for something better that originally led...
An obsession with quality
It was the demand from the movie production industry for something better that originally led to the birth of LEE Filters in the late 1960s. Leading Cinematographer David Holmes gathered research and manufacturing expertise from around the globe, and pioneered the use of modern polymeric materials to make a wide range of filters for film and TV production, theatres and entertainment venues.
The company culture is one of continuous research and development, always searching for newer and better materials and more effective manufacturing techniques and processes.
This culture, backed by significant investments in machinery, ensures that LEE's filters provide the ultimate in performance, availability, reliability and longevity.
Ideal polariser for manual focus cameras. Attaches to the filter system via an 105mm Front Holder Ring (sold separately) which fits to the front of the filter holder, allowing the polariser to rotate independently.
Learn MoreIdeal polariser for autofocus SLR cameras. Slots into the Filter Holder which is then rotated. Recommended for studio use or when no graduated filters are required.
Learn More112mm Push-On filter holder for the 100mm filter system
Learn More115mm Push-On filter holder for the 100mm filter system
Learn MoreThe new LEE100 Polariser in a clam shell case. The new snap-on design is the fastest and simplest to attach on
the market.
When light from the sun bounces off a flat non metallic surface, such as glass or water, it becomes polarised with all of the reflected light waves vibrating in the same plane. This reflected glare can be removed by the polarising filter.
Learn MoreReverse ND Grad filters are perfect for controlling the exposure at sunrise or sunset, when the sun may be hovering only inches above the horizon. Most effective when used on lenses of 24mm or wider on a full frame DSLR.
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