LEE Filters
An obsession with quality
It was the demand from the movie production industry for something better that originally led...
An obsession with quality
It was the demand from the movie production industry for something better that originally led to the birth of LEE Filters in the late 1960s. Leading Cinematographer David Holmes gathered research and manufacturing expertise from around the globe, and pioneered the use of modern polymeric materials to make a wide range of filters for film and TV production, theatres and entertainment venues.
The company culture is one of continuous research and development, always searching for newer and better materials and more effective manufacturing techniques and processes.
This culture, backed by significant investments in machinery, ensures that LEE's filters provide the ultimate in performance, availability, reliability and longevity.
The LEE Filters 100mm System 1.8 ProGlass IRND Neutral Density Standard Filter reduces exposure by 6 Stops equally across the entire frame. The ProGlass range sets a whole new standard in high quality glass neutral-density filters.
Learn MoreThe new landscape polariser is slimmer than the current 105mm circular polariser, which means it can be used on lenses as wide as 17mm! You might notice that it is slightly warmer than the current version... This helps with boosting greens, reds and browns in your images
Learn MoreIdeal polariser for autofocus SLR cameras. Attaches to the filter system via an 105mm Front Holder Ring (sold separately) which fits to the front of the filter holder, allowing the polariser to rotate independently.
Learn MoreIdeal polariser for manual focus cameras. Attaches to the filter system via an 105mm Front Holder Ring (sold separately) which fits to the front of the filter holder, allowing the polariser to rotate independently.
Learn MoreThe LEE Filters 100mm System 11 Yellowish Green Standard Filter alters the response of panchromatic emulsions to be equivalent to the eye responding to objects under tungsten illumination. For Black & White Photography.
Learn MoreThe LEE Filters 100mm System 12 Deep Yellow Standard Filter is a minus blue filter that can be used to cancel blue light when infrared-sensitive films are exposed. Also penetration of haze during aerial photography. For Black & White Photography.
Learn MoreThe LEE Filters 100mm System 15 Deep Yellow Standard Filter increases contrast between cloud and sky greater than No. 8, for over-correction effect. Also used for copying documents on yellowed paper. For Black & White Photography.
Learn MoreThe LEE Filters 100mm System 16 Yellow Orange Standard Filter gives even greater over-correction than No. 15. Absorbs a small amount of green. For Black & White Photography.
Learn MoreThe LEE Filters 100mm System 21 Orange Standard Filter is a contrast filter. Absorbs blue and blue/green. For Black & White Photography.
Learn MoreThe LEE Filters 100mm System 23A Light Red Standard Filter is a contrast filter. Greater contrast effect than No. 21 Orange. For Black & White Photography.
Learn MoreThe LEE Filters 100mm System 25 Tricolour Red Standard Filter is a separation filter. Maximum transmission above 610nm. Also used for b/w contrast effects, haze penetration in aerial photography, and removing blue in infrared photography.
Learn MoreThe LEE Filters 100mm System 3 Light Yellow Standard Filter partially corrects for excess blue in aerial photography. For Black & White Photography.
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